The theme or concept of the production is Memory, which came about when Lisa Naugle posted an image of a tunnel that served to illuminate a moment on Facebook when two were posting simultaneously to each other across the continent. Her image brought to mind the current site specific installation at the Guggenheim by Anish Kapoor entitled Memory.
Then Dr. Gilbert spoke about his impressions of this exhibit in class. My response to him and the other members of the project follow:
When you were speaking about the Guggenheim's exhibition on Memory, you mentioned that you can't see some of the exhibits completely--in one viewing. It was accomplished from different angles, levels and perspectives. What I was trying to express, but I fear it didn't come out that clearly, is that the display of the exhibition complements the subject. Often we reflect on a memory differently at different stages of our lives. We gain perspective, we understand or are explained the background to a happening. A person's memory of an event can also alter due to therapy. Alternatively, as Tom wrote, we can forget, or choose to forget, a painful memory or it melts into other memories.
On the internet, our interactions with webpages aren't saved. What we saw, clicked, filled-out, etc. is happening in that moment. The results of a form might be saved but not the page as it existed at that moment. We rely on our memories to reflect on what the page looked like with it's colors, style, interactive features, prices, and if it had flashing advertisements and what it was advertising. Even if we "save" the webpage, when we open it, it appears as the page is formatted now not how it was when we saved it. Or, as Tom mentioned, it has disappeared completely. Unless we photograph the page using the "print screen" option--we not only have our own memories to contend with--but we might have differing opinions with others, creating an even larger tangle of memories.
This can also apply to any live performance unless it is preserved on tape. With simultaneous performance between many locations, it becomes even more difficult to fully capture all the participants and happenings. And, what becomes a person's memory of the event is heavily influenced by which location he or she was at. This can create vastly different memories/perceptions of the event....
Some sub-themes of memory to use in building the performance/production could be the fleetingness of moments, perceptions, perspectives, time, pain, and forgetting. We could work on this using many mediums: dance, music, visual.